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All my girlfriends were wonderful human beings - beautiful people have it easier because they are beautiful

Also, when doing an all-out "asking for a dance", some annoying factors might come to play, over which you have very little control owing to the approach you have chosen. She might be tired, waiting for a friend in a designated spot, just doesn't dance, her boyfriend is just around the corner. All these factors really have no bearing should you choose an approach which also incorporates demonstrating value and personality (beyond having the guts to ask for a dance). In which case "waiting for a friend" or "being tired" are quickly out the window... plus some more time with you and the "boyfriend" might share the same route:) But without having been able build rapport with her and make her crave for you, you really don't have too many options - maybe thank her, maybe ask her "how about later?" (yea right) or ask her "mind if I join you for some conversation?", nah, these all suck to high heaven, better just move on to the next girl. Theoretically, you might still stand a chance with her once she sees the girl that was smart enough to agree to dance with you having the time of her life:) But whatever you do, don't stand there and aggravate her by arguing with her as to why she won't dance with you. Forget her, move on, there's a better-looking and smarter girl (for she knows to appreciate your invitation:) right behind her, and YOU are what she's been waiting for all her life:) Or at least this evening:) Group Tactics If She is With a Friend ...also known as disarming the obstacles She is the target. The friend is the obstacle. Be it male a female, so many AFC's make the fatal mistake of ignoring the friend / obstacle when making sweet-talk with the target. An ignored obstacle is pissed and getting more pissed all the time. Undoubtedly, the target's friends have much more influence over her than you could ever exert in 5-10 minutes, which means that when the pissed obstacles will eventually start interfering with your conversation, dragging your target away ("come on, we have to go home / to another place" etc.), talking with your target and ignoring you, making comments and just generally breaking the mood… you're dead meat. If you were good enough to make the target interested in you, she might be able to slip you her number while her friend is already dragging her out the door. But more likely than not, in an atmosphere poisoned by the pissed presence of the obstacle, you'll never have a chance with the target. So now what? The only option is to befriend the obstacles before engaging the target. Make the target's friends - male, female, brothers, co-workers, whatever - your best mates before you move on to working you magic with the one that really drew you to their friendly circle in the first place. Have a good time doing it, make lots of friends, shake hands, be humorous, lift everyone's spirits. Make them laugh, feel good and like you:) Once you're done that, you can move to working your target without having to fear anything from your new-found buddies. Who, by the way, you have already negged by paying the least amount of attention to. This has gotten her intrigued about you as she's probably accustomed to being adored everywhere she goes:) But not by you, so either you're accustomed to beautiful women or there's something about her that you don't like, either way, she has got to find out, she has got to make you adore her, she is so accustomed to that, "why is she not paying attention to me!?", "gotta step up my efforts with this guy!", hehe:) (Don't forget to read Neghits explained and Neghits expansion pack:). One more thing - once you've disarmed the obstacle / obstacles and (37 of 84) [7/5/2001 8:02:27 PM] engaged the target, and this is critical, you need to separate her from her friend / friends. If she is with a friend, you better have a wingman to keep the obstacle busy and help in the effort of separating them. Very many girls don't like to be seen kissing or touching someone in front of others / friends. They have the issue of reputation to deal with etc. But once you're in a private place, she's free to do whatever she wants without having to think "oh no, what's my friend going to think about this", "is she gonna tell anyone / my boyfriend / mom?" etc. Let's say you separated two friends, you're with one girl and your wingman with another girl someplace else. You and the girl have no idea what you're your wingman and her girl are doing. But that doesn't mean you can't imagine:) This is where it gets interesting - she's gonna think her friend is probably already making out and having all the fun, maybe even having sex already:) While her friend is probably thinking the same thing:) So being separated and not knowing what the other one is doing, both of them are much more receptive to all sorts of advances:) Applied with a wingman: if your wingman and his girl seem to be getting along, tell your girl (without the other girl overhearing) that you should let those two be alone and leave. Your girl will certainly initially wonder, what you mean by that. "Open her eyes" with these:) - "Are you blind or something? Can't you see what they're up to? Or do you want to watch them:)? Don't you know how embarrassing it is when two people want to be alone and there's someone watching?". This should make her "understand" and now the two of you can leave. But the beauty of this is, that you leave with your girl thinking, that her girlfriend is gonna get some in a few minutes:) The girlfriend however sees the two of you leaving and can't help but think that you left so that you and your girl could go have some private fun:) Now that you've got both of them thinking, that the other one is going to get her brains screwed out in a few moments, neither of them wants to be left out in the cold - voila:)! A simple variation of removing obstacles / negging the target, ASF: "You see HB and UG together - dance/talk/have fun with the UG instead, HB is surprised, jealous and starts making an effort. Perfect." Neghits "A 10 is there surrounded by friends. She has put on this BITCH act. Is she REALLY a bitch? Unlikely. All my girlfriends were wonderful human beings - beautiful people have it easier because they are beautiful and often times have better upbringings because of it. BUT - they need to have a standard with which to uphold when all these NOBODY guys approach her. So her values are very honed and understood. When a man walks up and says, "can I buy you a beer?" she WILL be annoyed by this. While the guy thinks he's doing something nice for her, she gets this ALL the time. She is desensitised to this. You are the 8th guy TODAY! So she is very good at brushing all these guys off. Shit, she HAS to be... she isn't going to sleep with ALL of them! So she may say NO or act annoyed and then the guy thinks she's a bitch and walks off pissed and feeling like a failure. And that seems to work. Sometimes when the girl is particularly in a feeling of control (like in a club where she is PREPARED for the barrage of men - it IS after all something that occurs so often that when it is GONE she MISSES it) she will accept the beer and then flake the guy off. Hey, the guys are stupid enough to buy her one, she might as well take it. When they take a beer from you, the girl is saying to you, "I don't know you and I don't care about you. You are just another one of those typical guys and since I don't respect you, Ill take the beer from you before I snub you." Since a 10 is so GOOD at snuffing your approach (nothing ever personal either - it is a strategy that is built over years of stupid guys approaches EVERY FUCKING DAY, she will do the same to YOU. That is why SNUFFING THEM is important. You cant INSULT them because they are used to all the hurt guys INSULTING them ("ahh you are nothing but a bitch!") so this rolls off their back like water off a muskrats ass. How do you SNUFF them withOUT INSULTING them? Well, let's say she has long nails which are most likely fake. Now why do 10s dress so FINE if they don't want the attention? Because they LOVE the feeling of control sometimes.

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The Fate Line is not always present in a palm.

One's inspiration for life could be arising out of a strong emotional need to connect with someone, reflected by an intense heart line. The desire to live could be motivated by an urge for intellectual pursuits. This will be reflected by a strong head line more predominantly developed than either the line of life or heart. However for an individual to feel more at peace, it is best when the three major lines are equal in length and strength. This reflects that a degree of (34 of 84) [7/5/2001 8:02:27 PM] harmony has been achieved as no one line is imbalancing the other two. If the heart line is predominant, then the sentiments will play an important role in the person's life. However, if the head line is not strong enough to keep the individual centered, the emotions may confuse, rather than inspire, the individual to express creatively. If the head line is strong but the life line is weak, there may not be enough energy to consistently endure and persist in accomplishing one's goals. Fortunately from the hand prints an analyst can recommend to an individual how to balance the energies of the major lines. If the head line is dominant then the person will need to concentrate on developing sweetness of heart. If the life line is dominant and the head and heart lines are weak, the person must find a creative outlet where they can direct their energy. A comparative analysis of the 3 major lines in both the active and inactive hands, will help the individual understand in what areas of life progress is being realized and in what other areas greater efforts have to be made. Reading the lines in general by Angela M. Mattey Whenever you look at the lines in the palm the quality of the line tells you very much about the person. Check to see if the lines are clear, deep and unbroken which means the line has good quality. If the lines are criss-crossed, chained, broken, has islands or is faintly traced it is considered to have poor quality. A poor quality line tells you that the person lacks good flow of well-being in the area that is weakened. It can represent a period of time in life when the owner is indecisive, unhappy, stressed, feeling blocked, or unable to feel secure about embracing life. Many hands have clear, unbroken lines even though the owner has had what an observer would evaluate to be a very difficult life. This means that the owner is able to survive and cope with life taking what life gives them in stride even though it may be significant challenges. There are other hands where the lines are all criss-crossed and the owner has not had that difficult a life by another's standards, but they see their life as stressful and overwhelming. The Life Line simply symbolizes the quality of a person's life force energy. The length of this line does not tell you how long a person will live (tell her that, if it appears a little short - tony). If the line is deeply etched and well formed, meaning not broken, chained or crossed, then the person is enthusiastic about life and puts effort into their actions and relationships. So the deeply etched life line tells about a good quality and supply of life force energy. If the life line is lightly traced in the palm the person tends to be more mentally oriented and observes life as a bystander with less enthusiastic involvement than the deeply etched life-lined person would exert. So the life force energy of a lightly traced or chained, or broken life line is more delicate. If the life line's pathway travels outward into the center of the palm, its owner will be more bold about life and want to explore the world. When the life line curves more closely and hugs the thumb the owner will be more likely to stay close to home and not be very adventurous about new things and changes in life. The Head Line tells about how a person's intelligence is applied, how a person thinks and to a minor degree the well-being of the physical brain. The deeper and more clear this line the more potent the thinking processes of its owner. A thin delicate, islanded, chained or frayed head line tells you that the person is nervous, anxious, sensitive and indecisive, being too easily effected by arguments and the pressures of another's idea or will power. If the head line is short, the person is more instinctive and action motivated. If the head line is longer, the person is mentally oriented, wants to learn about many things, and has good mental focus. If the head line is more straight, the person is very logical, reasoning and wants the facts. If the line is sloping downward, the person is imaginative, creative and more sensitive. When there are deep dots or dents present on this line or islands sometimes this tells of headaches and possible physical problems with the brain itself. Other times such indications tell of mental frustrations and of "second guessing" one's abilities to decide properly. The Heart Line tells about the owner's emotions and how they are expressed. The heart line can be looked at for health indications also. The heart line has a different starting point than the other palmar lines which start at the thumb side of the palm. The longer the heart line the more the emotion is present in the personality of the owner. If the heart line is straight (35 of 84) [7/5/2001 8:02:27 PM] the owner's emotions are ruled by the mind. They think before they speak. The curved heart line, like the one shown in the above image, tells of a person who is sentimental, intuitive and openly expresses their feelings. If the heart line is clear and deep the person is comfortable with their emotions. If the line is frayed, broken, chained or delicate the person is emotionally stressed and often moody. An island on this line at about the space under the ring finger area tells of eyesight problems. The Fate Line is not always present in a palm. When it is present it helps the palmist time events in the client's life. The fate line tells all about a person's career pathway changes, independence, personal will power, and their ability to adapt to life's circumstances. If a hand does not have a fate line it is not bad like so many palmistry books have stated. It can mean the owner's life is dictated by the circumstances of their environment or by an overly possessive parent. However it can mean the owner is open minded, free wheeling and spontaneous about life and their pathway. When this line is present in it's full flow, like in the image above, the owner has a very balanced inner strength and guidance about life from within. If this line is broken it means a major life change, such as a physical move to another location, a job change, a relationship change or a complete career change, in life at the time of it's break. This is also true of a break in the life line. The Sun Line has been considered the sign of great luck and success in the hand by many palmists. This line indicates talent about which you will have to look at the rest of the hand to determine its exactitude. It basically says that its owner has a special ability to make friends, money and earn a good reputation. A full line of Sun (unlike the one in the picture) starts at the base of the palm and travels up to and under the ring finger. This is a fortunate sign of creative successes or the self-confidence to make the most of inherited talents to gain possible fame in life. The line of Sun as it is shown in the picture is how it most commonly appears in a palm. Here it is short and located in the upper part of the palm. This indicates success comes later in life and that the person might be a late bloomer. Dancing This one is tough. Ideally you should never encounter a situation where you'd have to "ask" for a dance. It is best to try any of the alternatives provided below before resorting to the demeaning and supplicating "Would you like to dance with me?". You can use Mr Smooth to start a dance with a group of girls. Or be on the dance-floor by yourself manoeuvring into position with a girl / a group of girls dancing by themselves. Or you can dance near the edge of the dance-floor and pull any girls passing by to dance with you. Or you can act like you already know the girl, take her hand, nod towards the dancfloor and say "well, come on!:)". If she seems reluctant, you go "oh, come on!:)". If she says "I'm tired", BOOM, you're in a conversation (you didn't even notice that, did you?:). "Tired? Well, not that you mention it, this place is a little crowded/noisy. Why don't we go to someplace quieter where we can talk and you can relax:)" If you let go of her hand in the meantime, grab it again and guide her to a nice and quiet little corner you've already checked out before:) Or - you can go the classic AFC way of asking a girl for a dance. If she says yes, great! If however she refuses, you're out of luck. You can try and salvage the situation by joining her for a conversation but she has refused you once already so a come-back will be that much harder to do. Or you can just move on, but remember - having other girls see you get rejected diminishes your chances with them even further. Which could result in the ultimate humiliation of moving from girl to girl and asking for a dance and being turned down all the way until you run out of girls:) Ok, the latter is unlikely, someone WILL eventually dance with you, but most probably that someone will be (yep, you guessed it:) - an UG!:) Ideally, rejection should never happen, for if you've had a chance to talk to

Many aspects of predicting the future and fortune-telling are very pattern-like

Clifford continues: "Now listen for her response - one thing that may happen here and which has happened to me many times is that she may be one of those women who starts talking a lot and you won't be able to get much of what you are thinking of saying out. This is a great sign. Usually I just smile knowingly and let them talk their little hearts out. As soon as the topic of sex comes up, you know you've got her. Just lay back, be friendly, don't say too much, and she will talk herself right into your bed. You may need to invite her for a coffee or a drink at the right time (I have found a lot of the talkers will extend an invitation to you themselves and you just have to watch for it)." Even during the remote possibility, that she doesn't display immediate interest, you still have plenty of options to evoke it - eliciting values, conversing on general patterning themes or even outright patterning, displaying the general attractive traits of humour and confidence plus anything you came to know she wants in a man via eliciting values etc etc. However, even if you need a follow-up technique to continue with, thanks to your initial pacing of the ongoing reality you're well on your way to getting her to like you. And from there on to... well, whatever your goal happens to be:) I Like… You can use this as either a continuation of a conversation or as an opener. It has the two of you say what you like in turn with you directing the "conversation" from things and known concepts (movies, music, food) to situations which create different feelings and states (standing in a warm summer rain, experiencing the thrills in an amusement park) to actual descriptions of states and feelings (feeling the excitement yet safety of a joy-ride:). For example, seeing a girl in a record store in the dance music department, idly looking at records, you can start with "I like Prodigy". She'll look at you in confusion, as if trying to ask "…what?" or "…were you talking to me?". Never mind that, continue. "I like Prodigy, but I also like The Orb. Your turn:)". By now she has understood the point and will answer something like "Ok, well, I like The Chemical Brothers". Now you continue with another band, or switch to food or movies. If you say "I like The Matrix" after she said she liked the Chemical Brothers, this is obviously going to sound a little strange, so make it known to her by using a humorous tone that you know very well the switch was a little weird, but hey, you're just having fun and you're only inviting her to join:) She in turn might switch to food, follow her:) But remember - you want to end up with describing feelings and states. With the "I like" game that is, not with the girl in general:) The "I like" game is not a means to an end, what you really want to end up with is getting her excited about you, getting her phone number, having a cup of coffee, doing a *close, showing her the heaven of complete sexual satisfaction - just take your pick:) Gimmicks Starting Ross Jeffries: "Are you into metaphysics? Do you believe in astrology? Astral projection? ESP? Tarot cards? What's that you say? You think it's all a bunch of crap? Well, so do I. But guess what? Women eat this stuff up like candy, so I PRETEND to be interested in all of it!!! Of course, my favourite gimmick of gimmicks is analysing a chick's handwriting. Do I have any training in this field? Have I even read a single book on the subject? OF COURSE NOT!!! But of course, just by coincidence, we carry the good old Grapho-Deck (you can find it at www.myhandwriting.com), the world's best gimmick for picking up women. (33 of 84) [7/5/2001 8:02:27 PM] All you need to do is walk into any bar or party with it, and corral the first girl you see. Just walk up and say, "Excuse me, I know this might sound a little odd, but do you handwrite or do you print?". After she stares at you like a bug for a second, she'll say, "Both. Why?". You say, "Well, I got this neat little deck of cards from a friend, and they're supposed to let you analyse a person's writing. I've tried it a few times and it really worked, and you looked like a fun person to break the ice with. Want to give it a go?". Almost always you'll hear yes, and the neat thing is other girls will be watching and then they'll come up to you and ask if you'll, "Do me! Do me!". I'm serious, it's that easy." Other gimmicks may include tarot cards, magic tricks and palmistry, the latter of which shall be examined a bit in this guide. Palm Reading-Why? Many aspects of predicting the future and fortune-telling are very pattern-like - they rely on creating states, leading the imagination etc. Learn what the various lines in people's palms are supposed to mean and you'll never run out of mesmerising things to say to her:) Besides, doing a palm-reading routine to a girl somewhere in public has an added bonus of a possibility of also other girls in the vicinity getting in line to extend their soft hands for you to touch and "examine":) Palm-reading (aka palmistry) can also combine patterns and kino into one truly powerful strategy. ASF: "Run the palm reader routine (you don't need to know fuck all about it). Get hold, comment on soft skin/read palm (saying stuff like you can see she's a very highly sexed, physically responsive woman - blah, blah, and really laying it on thick - with embedded commands etc. if you like). Don't let go of her hand while you're doing this, keep looking deep into her eyes then start kissing the hand & telling her some shit about 'people may know each others' mind, but they don't really know each other until their bodies get to know each other." So ok, maybe this example from ASF moved a bit too fast, but you get the general idea:) Just watch her reactions and respond accordingly. If all signs indicate that you could get away with an "until their bodies get to know each other"-line, then use it:) Here's an example of transitioning to palm-reading taken from "Eliciting values - the questions": ""How do your friends describe you?" Use this both for value-eliciting and as prep info for palm-reading, after which you can say "Let me see whether you actually are like that as well" and transition to palm-reading."" It is however good to know a few things about palmistry beforehand, for it will be far easier to "predict her future" and "look into her past" this way:) Plus your being able to show her how you draw your conclusions adds "credibility" to what you're saying:) The next few articles will explain the main lines in the hand and how to read them Reading the Lines in General The three major lines in the hand by Peter and Kathleen Keogh When you look into your hands, you will see the three major lines of heart, head, and life (see picture). The heart line shows how we feel, the head line how we think and the life line how much physical vitality we have to sustain the body. The motivation to live is not shown by the life line alone.

One of the best approaches I've ever used for meeting women is just to be incredibly direct, but also VERY low key.

Stunning Approach "One of the best approaches I've ever used for meeting women is just to be incredibly direct, but also VERY low key. This combination exerts an almost HYPNOTIC fascination. So, for example, if I spot a woman I find attractive, in a low-key, but direct way, I'll walk up to her and say, "Excuse me (you're not really excusing yourself for making her feel really-really good in just a moment, you're giving her a command to stop whatever she's doing and pay attention to you, you can alternatively use "Forgive me for interrupting you" telling her to interrupt her train of thought and focus all her attention on you, seemingly in order for her to be able to determine whether or not to forgive you:), I just wanted to tell you.....(pause a second or two for effect...they will begin to wonder "what???.. what does he want to tell me?") I think you're absolutely stunning....and I really wanted to meet you. (Pause again)" ""My name's …...." I then extend my hand and shake theirs! What makes this approach work? You are being DIRECT, with no excuses or apologies. This RADIATES confidence. l It's done LOW KEY! I talk SLOWLY...no rushing....I'm radiating, affinity, warmth and relaxed power instead of need or horniness. l When you do this, it doesn't matter that a moment before she was obsessing on that overdue bill or her yeast infection. You've got her attention BIG TIME! Now you can put her on a "sense of adventure" test by using a little intrusion. What does this mean? Simply...you need to intrude SLIGHTLY...and I do mean S-L-I-G-H-T-L-Y on her personal space; not so much that she pulls back or runs or slaps you, but enough to make her wonder and get a bit excited. How do you do this? Well, when you take her hand to shake it... DON'T LET GO AFTERWARDS!!! Keep holding on as you continue to talk to her, looking straight in her eyes. Will SOME women pull their hands away? YOU BET! Maybe 30 to 40%. But never mind that. The one's that keep holding your hand for a moment longer though… have passed your "sense of adventure" test:) You have made them already slightly attracted to you in some 5 to 10 seconds from first meeting you:)" The effectiveness of this approach is however limited with mostly 7s and 8s. The really absolutely stunning women will most probably not the too phased by the "you look absolutely stunning" line. Also keep in mind, that this approach is a two-edged sword - it is powerful and direct, but it is also an obvious come-on. If she likes this approach, you've propelled yourself in her direction a great deal. If however this is not the case and she thinks you're a pathetic supplicator (depends on how you deliver it though, try to follow Ross Jeffries' suggestions of being low-key but confident and direct) then you've probably propelled yourself much more further away from her - in which case a casual "we've known forever" or a neg approach might have worked better. Have no despair though, you'll learn from experience. Update. Once again, the following is an example of major supplication and might not work on the best looking women (see "Neghits explained" for more information on that), but then again, it might, and especially as it is so quick and easy, you better use this as opposed to having done nothing at all:) The corny line approach. Speed Seduction newsletter, Ross Jeffries: "I was doing some errands in a local mini-mall when I spotted an unbelievably hot-bodied woman in tight-fitting work-out outfit. As she was leaving the yogurt place with her double combination vanilla/chocolate swirl, I said, "Excuse me, has anyone ever told you you're a shining example of physiological/genetic perfection?" Her response of course, was to laugh and say "Thank you... no, you are the (31 of 84) [7/5/2001 8:02:27 PM] first!" I then USED her laughter response by saying, "Well, I'm glad you laughed. Because although you really are breathtaking, and I wanted to get a glimpse at the personality inside of the beauty before I introduced myself. My name is Ross". I then invited her to sit down while we enjoyed a brief hand-writing analysis. But notice here, that I mentioned and USED the fact that she laughed as a way of establishing that I was looking for MORE than her physical beauty." Pacing the Ongoing Reality A good tool to use for instant rapport, especially when approaching (as you need to overcome her possible cautiousness about you and do it fast) is pacing the ongoing reality. What this means, is describing both the very recent (for example her having been idle and you having approached her), ongoing (you talking to her and her being pleasantly surprised) and near future events (her feeling good about getting to know a handsome stranger like you) in a pleasant, humorous and believeable manner. Here's a modified example originated by Clifford in Clifford's Seductin newsletter. It starts out with some basic approaching elements (pardoning, complimenting her, offering your name), which are sometimes frowned upon by more experienced PUA-s (see "Complimenting her", "Neghits" and "Should I offer my name?" for more information on why), but the ensuing pacing of ongoing reality creates an overall pleasant atmosphere of honesty, simplicity and sincerity, which is often almost impossible to resist:) The modified example pacing by Clifford, Clifford's Seduction newsletter: "Excuse me, I don't mean to interrupt you [drinking coffee / reading the newspaper / waiting for the commuter / your train of thought], but I just wanted to tell you that I find you very attractive and wanted to meet you. My name is Rick, what's yours?" [Here comes the pacing] "You know, you never know when something wonderful is about to happen, like you could find yourself [in the cafe / in the waiting-hall / sitting on the bench / whereever] just thinking about [eating another donut / what time the commuter arrives / whatever she's doing or expecting to happen], and the next thing you know an attractive stranger is talking to you, and as you listen to him you may notice that even though [you've never seen him before / you've seen him before at this bus-stop / you've met him before here in this library], somehow today, because he is talking to you, you may see him in a new and different way. Can you imagine that?" Now what you did here, is you told her something that she invariably had to agree with - yes, she was where you said she was, doing what you told her she was doing, thinking in the lines of what you hinted she was, yes, yes and yes. And all of these things were quite simple for you to say - all you had to do was to describe the scenery:) But in her mind it doesn't matter - she finds herself agreeing to what you're saying, over and over again. And its not some unimportant who-cares and so-what stuff like "the sun is shining... and the buildings are tall... and people are walking by" either, its actually something quite important as it is about what _she_ was doing and what _she_ was thinking about. So while she is listening to you and she finds herself agreeing with you on some fairly important matters, the agreeance she has in her mind creates a feeling of enthusiasm and being close to you, and in effect - instant rapport. Having had to agree with so many things, the few things that she probably wouldn't agree with on their own, seem also much more acceptable as a consequence. So maybe she wasn't pleasantly surprised when you approached her, or maybe she wouldn't describe you as particularly handsome - but now that you've showered her with so many truisms to begin with, the ones that wouldn't ring so true by themselves seem much more true amongst all the other truisms. Thus for example you telling her she was pleasantly surprised when she thought she wasn't, will have her re-evaluate the nature of her surprise as a consequence of all the other truisms that surround it. Don't overload her mind with things that she probably wouldn't agree with though - keep a fine balance, push things in your pacing just a bit above the actual and towards the more positive, for if you go overboard, she will stop agreeing with you... and bye-bye instant rapport.

so how do you guys know each other?

Her:"Well, yada,yada,yada,yada …" You: (Listens carefully looking for a follow up questions) "Really, and how did that make you feel?" Her: "Well, blah, blah …" You: (Listens carefully looking for a follow up questions) "Wow! That's a lot of work. How did you deal with it?" (Notice, i make a comment before asking her another question, so she'll know i'm listing) Her: "Well, blah, blah …" You: "That's very interesting, but I would deal with it another way." Her: "Oh really. Tell me!" You: "Well, I'd take a week end off, spend it in a hot Jacuzzi and top it off with a full body massage." Her: "Oh that sounds like so much fun. What else?" You: (Focus conversation back to her - make her talk)"Well what would you suggest?" Her: "Well, blah, blah Simple Approach An example of a simple 2-on-2 approach (ASF): "Hi... my friend isn't from here (introduce friend)... so how do you guys know each other?" You can also use this to approach a larger group. "So how does everyone know everyone else?" Yeah, that line is great... especially when the truth comes out and the guy that THOUGHT he was here on a date finds out he's only HANGING OUT with the girl he wants and she declares herself free for your picking:)" An example of a pattern-like approach (ASF): "I'm sure that you, like me, have had some really interesting experiences in your life. You know experiences that were incredibly fascinating and absorbing, like maybe when you were a kid and you went to a museum and you just got lost in wonder and delight at what you were seeing. If you were to share a memory about one of your most interesting experiences, a person you met perhaps, or a place you've been, or something you've learned that still holds a deep interest for you, what would it be?" Another pattern-like approach. Odious, ASF: ""Excuse me (to get her to stop) I just wanted to say thank you." Her curiosity bells just went DING. She'll almost inevitably ask why, though it is ok if she doesn't. Move into standard mirroring and rapport building techniques as you continue... "Have you ever had one of those days where, you find yourself feeling sort of aloof... you're not really happy, but not really sad either... you just feel like your adrift. Then suddenly you find you bump into somebody with an incredibly warm and beautiful smile that just makes you feel wonderful for the rest of the day?" She will almost surely smile more at this point, or give some degree of positive response. "So, I just had to thank you for brightening up my day... Though, you know it would be a shame if this is the last time I'll see that wonderful smile... what's (27 of 84) [7/5/2001 8:02:27 PM] your name?"" An example of approaching girls in cafeterias with some aspects of patterning. ASF: Walk up from a direction where they can see you coming (I like them to feel like I walked up to them confidently, not like I'm trying to sneak up on them or trick them). l Sit down while you say something with a big smile and like you've known them your whole life. It doesn't much matter what you say, but if you say something interesting it makes it easier to continue the conversation (now they have had a state change and are wondering if they know you). l Make interesting conversation (use patterns if you know them) while mirroring them. Tell them a little bit about yourself then SMOOTHLY #close. l M: "So, How was you day" (sit down) H: "Good... how was yours" (This is a very typical response if you were smooth with the intro). M: "My day was awesome so far (try to match her outlook, if she looks completely down try "pretty good").I had a great day at work, and then one of my closest friends that I hadn't talked to in a while called me. You know how you can just talk to someone and no how long it's been you just _feel_ this great connection with them..." H: "That's cool, I have a friend like that" M: "Someone you can really trust, who always makes you feel good to talk to?" H: "Yeah, I've known her forever" M: ... H: ... M: "I have to go, but I've really enjoyed this conversation, why don't you give me your number and we can talk again" "How was your day", pacing and rapport building. Anubis, ASF: "If there's nothing particularly interesting about the environment in which you find yourselves, the first sentence or two gives you the perfect opportunity to pace her (this is more what I'd be tempted to do at a party or some social gathering). ----- Example 1 You walk across to her and, genuinely interested, ask: "So, how was your day?" In a fraction of a second she flickers through the events of the day, smiles, and says "Great!" Her smile is infectious and you find yours matching it as you reply. "Excellent! So was mine. What did you do?" She's had a great day. You've had a great day. She feels a small (at this stage) degree of rapport and should have little problem sharing her good mood. This leads her into talking about what she did to have such a great day, a list of sentences in which you should find any number of conversational hooks to bite on. ----- Example 2 You walk across to her and, genuinely interested, ask: "So, how was your day?" In a fraction of a second she flickers through the events of the day, sighs, and says "Awful." Her sadness is infectious and you feel an empathic frown flow across your face as you ask "Oh, what happened?"

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Groom, dress, move, and pursue like a man who is confident with women.

Not in the sense of apologizing or excusing but simply that you are alert and AWARE of who she is and what she is experiencing. From here, what I will do is say, "Look...I don't have a lot of time here (a bit of a "takeaway" which always makes you more appealing). And it's obvious that you are on the move too. But if you'll sit with me for 5 minutes, I'll analyze your handwriting. You'll get to learn secrets about yourself your best friends don't know and I'll get to find out if YOU are the kind of person I want to know better (here I'm structuring an opportunity and offering her a challenge)." Power Opener The most important thing to keep in mind while approaching women is that first impressions are priceless and are made up within the first three seconds of introducing yourself. This means that you have no room for error. Rule No.1 Women sense and are turned off by insecurity, so make sure you look and act confident. How? Groom, dress, move, and pursue like a man who is confident with women. Practice socializing with all kinds of strangers on the street, whether they're old or young, women or men. Just say "Hi" and you'll start to notice your confidence build up. Rule No.2 No pickup lines. It upsets me when people ask me for the best pickup lines; there is no such thing as miracle pickup lines. You have to be honest, straightforward and say what's on your mind. If you use pickup lines, a woman will read right through you and feel cheap. When a woman feels like you're using a pickup line on her, she will do everything possible to show that she won't fall for it. Using pickup lines is what destroys a conversation because it's hard to think of what to say afterwards. Instead, by making conventional small talk, you have a base to build an interesting conversation upon. Rule No.3 Don't give her your name. This is the first tool to confirm that she is interested in you. Instead, ask for her name. Once she says her name, compliment it and start talking. If after a while she asks you for your name, it means she is interested. If she doesn't ask for your name, it means she doesn't care. If that's the case, don't waste your time with her and move on before she does. Rule No.4 No matter how tempting it might be, don't look at her breasts. If she catches you looking, gazing, screening, or scanning for even a one hundredth of a second, it's all over and you could kiss your chances goodbye. Don't risk it. Good looks are important but not enough to keep a woman interested in you. A woman also wants a man who can have an intellectual conversation. Most men know how to speak to women for the first few minutes but don't know how to make the conversation last. The most important part is how to keep them interested past the first ten minutes of conversation. The problem is that men don't understand how to follow the sequence of natural conversation. Some men make the mistake of talking about themselves all night long, while others begin by talking about how many kids they want, why they're still single, or how fast their Porsche can go from 0-60 mph. The secret to keeping a woman interested in you for more than ten minutes is to first melt her security ice shield, follow a sequence of natural small talk, bring up something no one else would, and observe her body language. Ice breakers At first, women are on their guard and act cold towards you approaching them. They feel a little intimidated so they put up their ice shields. You must deal with the fact that women will be testing you to see if you are safe or (25 of 84) [7/5/2001 8:02:27 PM] potentially violent. Before you even try developing a conversation, you have to make her feel comfortable by showing her that you're harmless. You can do this by using a little sense of humor (without looking too weird). You can also try some ice breakers like, "this party is really exciting…" or "who's the creep that left you all alone with these men?" If she gives you the evil eye or tells you to get lost, don't feel bad (remember she might just be uncomfortable so don't take it personally). Follow through with a smile and say, "Hey, you don't need to get nasty, I was just trying to make conversation." She might smile back and apologize. If she doesn't, well hold your head up and move on. If she smiles and gives you buying signals, this means she is slowly lowering her ice shield. You can continue by asking for her name and following through with a compliment. Now you can move on to the actual conversation. Rolling your tongue the right way When you first meet a woman, you have to capture her attention and keep her interested in you. This is achieved through the art of conversation. You have to be able to roll your tongue the right way to charm her. Sample Approach You: (Approaches woman at event after receiving positive body language and successful flirting) "Hi! Do you mind if I join you?" Her: "No, not at all. Have a seat." You:"So who's the creep that left you and your sexy smile here all alone with all these men?" (Ice breaker) Her: (Laughs and starts to blush) "Actually, I came with my girlfriends just to hang out and relax a bit." You: "A devoted and hardworking woman. Now that's rare to find these days. I bet you're looking forward to your vacation?" Her: (Big smile and excited look) "Are you kidding me? I'm dying for a vacation!" You: "By the way, what's your name?" Her: "My name's Jessie." You: "That's a sweet name! Okay Jessie, if i should ask you where is your ideal vacation spot, how would you respond?" Her: "Hmm, let me think. (Touches hair, looks up, caresses her glass and then touches my arm) Somewhere hot. Anywhere, as long as there's a beach around. You: The beach? You don't look like the beach type." (Neghit) Her: (Surprised) "What do you mean, i'm not the beach type?" You: "Well you look like the type of person who'd prefer to stay in the city and do some site-seeing or visit museums." [Expanding on negative hit implying she looks boring.] :) Her: (Laughs out loud) "No way! I love the beach." (Thinks to herself: "No one has ever told me that before, they usually compliment my looks.") You: "You have an amazing laugh, I think I'm going to tell you some more jokes so I can see those gorgeous dimples again." (Two positive hits). Her: (Smiling) "Stop, you're making me laugh. By the way, you still didn't tell me your name." You: "My name's "Walter".... So what is it about your work that makes you so exhausted?" (26 of 84) [7/5/2001 8:02:27 PM]